News — Yirramboi

4 February, 2019 in Feature

Yothu Yindi & The Treaty Project

As evinced by Yothu Yindi’s success in the 1990s, Indigenous music, song and dance are powerful tools of protest.
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4 December, 2018 in Feature

Curator callout for Blak Dot at YIRRAMBOI 2019

YIRRAMBOI, in partnership with Blak Dot are looking for submissions from curators ahead of YIRRAMBOI Festival 2019.
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5 November, 2018 in Feature

Caroline Martin announced as YIRRAMBOI Creative Director

The City of Melbourne is pleased to announce it has appointed Caroline Martin, a senior Koorie leader, as Creative Director to lead the Y...
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12 October, 2018 in Feature

YIRRAMBOI at Pulima Festival, Taiwan

YIRRAMBOI are excited to announce that we are taking YIRRAMBOI Festival to Taipei this November in a “festival within a festival” rec...
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31 August, 2018 in Reviews

Decolonise Now

The heart of the work is in the language. Not the English of the Eurocentric colonisers but the universal languages of melody...
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28 August, 2018 in Feature

DHUMBA WIINY fire talk in Las Vegas

YIRRAMBOI Creative Director, Jacob Boehme is participating in the Performing Arts Discovery (PAD) delegation at the 2018 Western A...
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30 July, 2018 in Reviews

Locked into Wentworth

Wentworth is a like a meticulously played game of chess, with as much betrayal and misdirection as Game of Thrones...
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13 July, 2018 in Reviews

The Traditional Owner of Death Gave Me Life

Blackie Blackie Brown is proof that dragging your feet towards reconciliation will only make generation upon generation of Aboriginal people smarter,
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13 July, 2018 in Reviews

Poetic Justice

‘All my life nothing came easy’ introduces the gripping story that starts from a Palestinian village life steeped in a patriarchal culture...
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11 July, 2018 in Reviews

standing still; looking back, looking forward. A review by Monique Grbec

'standing still; looking back, looking forward' is a confronting commentary of Aboriginal identity set to spark heartfelt joy, colonised confusion, an
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